Park test

On to the equipment!
I sat down and did a quick study of my backpack and bag. Might as well practice at drawing inanimate objects, which I've been ignoring for most of my life. It shows.

My cellphone was in my pocket and my money & documents were tucked away in my bag: they were virtually weightless and I didn't count them in the overall weight.
Both pieces were very small and light and I could barely feel the pack on my shoulders. Splitting the weight was a good move, especially if I can avoid having it all on one shoulder. My spine thanks me kindly.
Finding stuff was not confusing because everything I needed to use often was in my shoulder bag.
Although. The ideal condition would be dumping the unnecessary and only have one bag with me.
A waist bag would be perfect, too bad I don't have one big enough.
Until then, we'll see how I can refine my packing strategies so that my back doesn't get hurt and the stuff I need is ready to be plucked out of the bag at any moment - which is not going to happen if I'm only carrying a backpack.

Anyway, I sat down again and tried to paint the meadow and ruins in front of me. I know I have a problem with large, deep fields of a single color. I struggle with depth.

Yay. Just one week before I'm finally able to replace my old scanner

I had a hard time beginning this because I couldn't place the objects correctly. I needed to frame the scene with my hands and then my camera to see it more clearly! Sheesh.
There was a hint of blue sky, but my scanner is flipping the bird at me and some color and detail got lost. I have a couple ideas to make this thing better next time:

- I should choose a place where foreground, middleground and background are more evident. I feel the need for a foreground to frame the image
- Perhaps a path in the grass, going off to the background, could help communicate better perspective and depth?
- I'll use a dry brush (or I'll use the brush sideways) to get a more randomic, leafy shape for the trees

There were lots of huge colonies of those cute red "little devils", as we call them. I noticed there was a more slender, "tattooed" type and a fatty variant with less black markings. I thought it was because of gender (especially funny considering the rounder variant has some kind of bikini top marking!), but turns out the fully tattooed ones are adults, while the others are not fully developed.

Firebugs. Firebugs everywhere.
And this was the smallest patch I could find.

I didn't do much more. I had a fast walk, some stretching and a good book. The bag and backpack never felt heavy, so I guess I can go ahead and try a proper field trip.
I noticed I didn't feel comfortable using the gray sketchbook for landscape sketching, and I might as well bring less pencils with me anyway. I should be able to reduce the weight if I focus on watercolor only, and I prefer copics to pencils for gesture drawing and tonal sketches.
That's all for today!

Park test - intro

Last week I decided to pay a visit to our local zoo for a whole day of sketching and painting from life. Sounded like a good plan until the weather got a tad depressing, so I decided to test my life drawing equipment in the park I live in.
I sure don't want to find myself carrying too much weight on a day long trip!

A couple shots of the "Parco degli Acquedotti" - winter and summer.
Snow is actually very rare in Rome. Oh how I love snow.

Sorry! I'm not a photographer.
Nor am I interested to be one, although it could benefit my composition skills; I take photos for personal reference, so I can study my subjects and render my stuff after I had to abandon my choice landscape/person/lizard in real life.

I'm well aware that I tend to drag around a lot of "useless" stuff. Like my external hard disk: I'm not leaving my laptop alone in a room if I don't have the hdd on me. Or the few pieces of jewelry I hold dear. Or my nds cartridges. Or my fat wallet, packed full of 1-2 cent coins. Or skecthbooks I won't be preferring over the smaller ones.
So my quest for that day was basically this: test a distibution of weight and choice of items - in search of a solution that allows me to paint publicly, comfortably, for a whole day without breaking my back.

The pencil case. The damn pencils case. 

...I need a comfy pencil case that isn't embarrassing

My poor watercolors weren't treated well in their early days. I'll learn.

Plein air

Lack of motivation hits hard, but I've got to the core of the problem.
I'm setting two new goals for myself, and boy do I need to achieve them for my own well-being.
I'll talk about it later - now have some watercolor stuff I painted on the spot.

Prunus log. My grandma's garden in the countryside is always my favorite place to be when I need a break from technology.

Still flat, but I feel I'm improving in rendering volumes and textures in watercolors.

A red house I could see from the balcony at my grandmother's house. A sudden storm drove me away sooner than I hoped. I struggle with trees A LOT. I'm so inexperienced at drawing buildings, but I'm starting to put more time and effort into the sketching phase. I really can't afford to paint directly with such an alien subject.

A sleepy old man I sketched on the train and painted later while relaxing in Verona with my boyfriend. Lovely trip if somewhat short!

This was painted on bad generic sketchbook paper so yeah, the texture sucks and the colors look so dead. Watercolor paper is so expensive

Ugh

Currently fighting with school stuff - have a quick cloud painting practice.

Analysis will come later, as soon as I manage to breathe :v

Ski season

Why do I crave snow so much?
Speed painting from reference of Ovindoli, a mountain place I miss very much.

All together now:

- one brush

- no color picking

- no lineart

• This took very little - between 10 and 15 minutes
• Contrast looks a little better-managed than usual 

• Those clouds suck, no matter how stylized they ended up looking
• I'm not happy with the general feel of the textures. Time to make some good brushes

Experience gained: 2 points!

- I feel I need a "multiple strokes" brush. Scribbling with a single tip is fun and all, but I feel it doesn't simulate the effect I'm after well enough. I also need brushes that are better suited to painting environments - more texture, less control
- I realized I have little to no experience with rendering clouds. Practice needed!

Hello watercolors

Why hello - here's a watercolor sketch I made roughly two years ago. Finally introducing some colored traditional stuff! Now for the sad part: I haven't touched watercolors since this flamingo.

Let's see here:

• My beloved fineliner seems to cooperate with watercolors too. I'd like to try different media and/or ink colors for the line drawing part
• It doesn't look too dull for a watercolor sketch

• The face part looks confusing - too many details when a few wide blothes of color would have worked fine
• Colors need to look more lively. I want to see more contrast (duh) and clash 
• I probably worked with dirty water and slightly murky colors

Experience gained: 4 points!

- I want to practice more with mixing various media and watercolor. I like the outcome! I'll experiment with different ink colors, too
- I need to work with wide areas of base color before jumping into details (its face D: )
- Some consistent speedpainting from reference should help me manage tones and values better
- Be clean, Dev. No murky water! You want your watercolor paintings to be bright

Overused

Tigers are an easy choice when it comes to animal portraits but what can I say - they are such scenographic subjects.

Same as last times: one brush, no color picker, no outlines. Analyzer mode: ON!

• It seems that I'm moving towards more decorative solutions - the rough parallel scribbling in the background was spontaneous and doesn't look bad; those almost rectangular patches of fur seem to work nice; I think I'm improving with framing and cuts too - negative space foliage and fur look good, I'm gonna try that again with other subjects

• Still struggling with contrast
• I feel it's too soon to start tweaking colors - no trippy interpretations for now
• I wanted it to look fine with bigger blotches of color and less detail

Experience gained: 2 points!

- I need to improve on synthesis. I should try shrinking and blurring the original reference picture, so as to be unable to go into details and forced to stick to the general impression
- I'd love to get better at managing negative space and making it a part of my style

Standing on nothing

Another speedpainting I did back in July. 

Oh deer, you don't seem to be standing on very solid ground!

Limitations:
- no color picking
- only use one hard brush
- no lineart, sketching and such; apply color directly

• Messy erasing on the edges looks interesting
• The background is very rough and painterly but does look like forest. A bit
• I managed to keep myself from touching up the background
• I actually didn't use the picker at all this time around!
• I can see I'd do much better now - this was from last July

• I couldn't keep myself from touching up the damn deer
• Speaking of which, it looks stiff and the neck is especially off
• The deer looks really bad exactly where I went back with a smaller brush to "fix it"...
• ...and it doesn't seem to be stading on the ground. The problem was that bunch of branches/stray that cover its feet: in the picture it's actually a lot closer to the viewer and out of focus, so the deer's shadow wasn't visible and I couldn't really deliver a sense of distance
•  The colors aren't fresh and bright as they're supposed to

Experience gained: X points!

- Work work work on freshness and brightness of colors, perhaps even pushing values and saturation a bit

- Do NOT zoom in and go small brush on speedpainting like these - I need to work with large solid blotches of color and get better at being expressive with few strokes 

- Do NOT go for details if the base stucture is wrong 

Outdoors speedpainting

Grabbed my laptop, sat under a tree and speedpainted what I saw. This was my first excercise of this kind and I improved a lot since then.

I'm still not happy with my landscapes and similar things, but this first attempt sucks big time compared to the latest crap :D
Let's break it down:

• Although I couldn't use any form of color picking, the colors came out quite faithful
• The building looks more solid than I expected, for someting I painted with a soft brush with a lot of Transfer

• Soft brushes: they are BAD for this kind of things. In my experience, that is
• Those tiles are horrible - that soft brush didn't help
•  I'm seriously bad at stylizing foliage

Experience gained: 4 points!

- I'll avoid soft brushes for environments and speedpainting in general; solid ones help block out volumes fast and find new graphic solutions
- I need to create some good brushes with which to paint foliage effectively...
- ... AND practice on drawing and painting foliage without them!
- My environments need more contrast - something to keep in mind during next painting sessions

Cold days

First post. Let's not formalize this too much, I'm already quite tense thank you. 

These are from last winter, Florence.
Staedtler pigment fineliner and copic - my favorite for sketching outdoors. Not being able to erase makes everything harder (as well as better, faster and stronger, I promise).
It's nothing short of a trauma at first, yet it's great for training my confidence, styilization and space planning/management. This is something I'll go through more accurately in a few future posts, showing how my strokes and general sketching style changed (for the better? We'll see) from my first attempts at this techinique to the more recent ones.

Notes:
- I need to improve my stylization of foliage. I have a hard time synthetizing leaves and branches. I'd like to lean towards a slightly decorative solution - especially with tree bark. About that, I'm gonna put together a few snaps from the local park and analyze different surfaces a lil' bit.